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Hough Signed
Julianne Hough - Signing Autographs The Heart's Truth Red Dress Fashion Show in NYC
Josh Taerk - The Folk music and the civil rights movement
Certain kinds of music emerged during a particular era of society. During the Roaring Twenties and thirties, big bands played in nightclubs and concert halls. The period of World War-II brought blues songstress Billie Holliday into America's consciousness. The fifties produced rock and roll's Big Bopper, Richie Valens, Buddy Holly and Little Richard. The late fifties and sixties gave way to a new kind of music. The singers weren't outlandishly dressed. They carried their acoustic guitars, their fiddles and maracas. Their lyrics talked about social issues such as Jim Crow's discrimination, civil rights murders and Southern police racism and brutality. This was music that broadcasted America's ills. This was folk music's impact on the civil rights movement.
When a fourteen year-old's body floated in a Mississippi swamp, folk music gave his eleugy with "Emmett Till". While Medgar Evers crawled on his dying breath in a Jackson city street, folk music said "You can kill a man, but not an idea". As Schwerner, Chaney and Goodman were dug up, folk music was there. Nina Simone mourned the dead and cursed their killers with "Mississippi Goddam". Folk music led twenty-thousand marchers chanting "We Shall Overcome". It led two-hundred and fifty thousand more to Washington singing "If I Had a Hammer" and "Blowin' in the Wind". Revered artists like Bob Dylan, Peter, Paul and Mary and Joan Baez marched and sang as their words cried for justice and equality in America. As COFO(Council of Federated Organizations)volunteers visited neighbors in hopes of galvanizing Mississippi Negroes to vote, folk music cheered them on those dusty roads. That was Freedom Summer in 1964.
In the following year, President Lyndon B. Johnson signed the Voting Rights Act. Folk music had changed forever in America's consciousness. Bob Dylan never again wore a work shirt with scruffy jeans and boots. His hair didn't look unwashed. Instead, he donned a Canabary Street suit with a new made-up appearance. He morphed into a rock star. His transformation alienated legions of fans already feeling betrayed by a "police-run" government. Philadelphia erupted. Cleveland's Hough section erupted. Watts erupted. Policemen unleashed their inner demons as young people died with molotov cocktails in their dead hands. There were far less peace marches, and many more violent rebellions. Newark, Detroit, Chicago and Washington all exploded with the black flame. An era of social consciousness had ended. The turbulent counter-culture had begun.
About the Author
I am a singer/songwriter that plays acoustic guitar, and occasionally play with electric guitar players.I have produced my first album to be released shortly called Never Look Back.
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